Articles
Baker, George. "Photography's Expanded Field." October (New York), no. 114 (Fall 2005), 120-40.
Benenson, A.E. "At the Farm." Rudzienko. March, 2019.
Beshty, Walead. "In Media Res." Sharon Lockhart | Noa Eshkol. Thyssen-Bornemisza Art Contemporary, Vienna, 2012: 30 - 36. Print.
Bombelli, Ilaria. "The world of labour in Sharon Lockhart's photos."domus. May, 2018.
Diaz, Eva. "Sharon Lockhart's Historical Choreography; or, the War of Remembrance That Is History."Sharon Lockhart | Noa Eshkol. Los Angeles County Museum of Art and The Israel Museum, Jerusalem, 2012: 10 - 17. Print.
Eckmann, Sabine. "Times and Places to Rest."Lunch Break. Mildred Lane Kemper Art Museum, Sam Fox School of Design & Visual Arts, 2010: 23-29. Print.
Gawkowski, Jakub. "Sharon Lockhart's Little Review - Giving Voice and Power to Young Women."Krytyka Polityczna. June 6, 2017.
Godfrey, Mark. "Photography and: The Discourses of Sharon Lockhart's Photographic Practice."Lunch Break. Mildred Lane Kemper Art Museum, Sam Fox School of Design & Visual Arts, 2010: 81-89. Print.
Godfrey, Mark. "The Flatness of Pine Flat."Pine Flat, Sharon Lockhart. Frankfurt: Revolver Books; Bilbao, Spain: Sala Rekalde, 2006:112-117. Print.
Halbreich, Kathy. "Chance Operations: Growing Up in Pine Flat." Pine Flat, Sharon Lockhart. Minneapolis: Walker Art Center; New York: Charta, 2006124-127: Print.
Holte, Michael Ned. "The Observer." Frieze. November 2005, pgs. 98-103.
Holte, Michael Ned. "Movement Research." Art Forum. December 2012. Print.
Hudson, Suzanne. "To My Future Readers." Rudzienko. March, 2019.
Katzenstein, Inès. "Sharon Lockhart, Ethnography Home." Pine Flat, Sharon Lockhart. Frankfurt: Revolver Books; Bilbao, Spain: Sala Rekalde, 2006:118-121. Print.
Krug, Simone. “SHARON LOCKHART Milena, Milena.”The Brooklyn Rail. February 3, 2016. Web.
Lockhart, Sharon. “Farewell: An Homage to Chantal Akerman”Frieze. January-February, 2016: 119. Print.
Lockhart, Sharon. “Love is fleeting. Passion is forever.” Les saison: Revue de cinema, No. 3, 2021. 24-30. Print.
Lissoni, Andrea. Picard, Andrea. “Behind the Work.”Mousse. June 2015: 242-258. Print.
Lehrer-Graiwer, Sarah. "Sharon Lockhart and Noa Eshkol," Art Forum. July 11, 2012. Web.
Martinez, Chus. "Take a Moment to Find Out...In Search of an Autonomous Visual Context." Pine Flat, Sharon Lockhart. Frankfurt: Revolver Books; Bilbao, Spain: Sala Rekalde, 2006:122-126. Print.
Myers, Holly. "Art Review: Sharon Lockhart | Noa Eshkol at LACMA is respectful." Los Angeles Times. June 15, 2012. Web.
Michalka, Matthias. "Realities of Time: Notes on The Fictionality of Lunch Break.”Lunch Break. Mildred Lane Kemper Art Museum, Sam Fox School of Design & Visual Arts, 2010: 43-52. Print.
Nathan, Emily. “Sharon Lockhart/Noa Eshkol." ArtNews. April 2013. Web.
Norden, Linda. "So Here's My Holiday." Pine Flat, Sharon Lockhart. Minneapolis: Walker Art Center; New York: Charta, 2006:128-132 Print.
Reilly, Alison. “In a New Collaborative Film, Sharon Lockhart Puts Teenage Girls in Charge of their Own Image.”ArtSlant Chicago. June 3, 2016. Web.
Stark, Frances. "Not Church, Not School, Not Home." Pine Flat, Sharon Lockhart. Minneapolis: Walker Art Center; New York: Charta, 2006:134-136 Print.
Seidel, Madeleine. “Life, Death, and the Cosmos Come Together in Sharon Lockhart’s Art.” Hyperallergic. February 22, 2022. Web.
Sheets, Hilarie. “An Artsit Explores the Lives of Girls Labeled Difficult.” The New York Times. June 3, 2016.
Schwendener, Martha. “A Two-Person Exhibition With Someone Who Isn't Here” Sharon Lockhart | Noa Eshkol at the Jewish Museum.The New York Times. January 31, 2013. Web.
Singerman, Howard. "Discipline and Movement."Sharon Lockhart | Noa Eshkol.Thyssen-Bornemisza Art Contemporary, Vienna, 2012: 37 - 40. Print.
Thackara, Tess. "Sharon Lockhart Revives Nazi-Era Children's Newspaper for Venice Biennale."Artsy.net. May 17, 2017. Web.
Walleston, Aimee. “Steps Retraced: Sharon Lockhart and Noa Eshkol at the Jewish Museum." Art in America. February 26, 2013. Web.
Wood, Catherine. "Entr'acte." Pine Flat, Sharon Lockhart. Frankfurt: Revolver Books; Bilbao, Spain: Sala Rekalde, 2006:136-139 Print.